When reverting back to the Beyers, the difference is stark. It would seem OneOdio has worked on the mid-range as it’s a distinctly different listening experience.Īs it’s a Thursday, we tend to have drum and bass on for the afternoon and the Pro 10s were a lot of fun to listen to the genre on. The Pro10s were certainly less bright than the Beyers but as initially imagined the biggest difference was in the mids. The Beyers are known for having scooped mids and bright highs. How do the OneOdio Studio Pro 10 compare to others on the market?Īs is usual, we ran some sine sweeps and A-B comparisons with Beyerdynamic DT770 and 880 Pros. The Banzai snares were too harsh but at least it makes them easy to identify and mix the next track in. If we were to pick a hole in the spectrum, it’s the 500-1000Hz might be a bit too prominent. To keep coming back to the price, it’s pretty impressive and won’t hurt your pocket.
The highs as mentioned are not overly bright and without that, over-exaggeration the overall experience is punchy and united. The low end is tight, as is the mid and upper mids. They certainly are not bass-heavy like the A70 or A30 which surprised me as those units are the other DJ first units in their line. They don’t have the brightness of the Monitor 60s but they do have fullness and pleasing quality. We’re going to go out on a limb here and say they sound great! For £23, it’s a fun sound. The aim was to work out the frequency range as much as possible. Anything from Chase & Status to Banzai and everything in between. We broke them in all morning by running drum and bass through them up till lunch. Reviewing headphones online, unlike studio gear, is always slightly tricky as it’s impossible to audition if you’re the reader. This is designed to give you maximum comfort while you’re keeping the Panorama Bar bumping for 72 hours. It’s rigid tough plastic but the underside is far more comfortable with the padded headband. The Pro 10’s have the same solid build as the Monitor 60s. But we rigorously put them through their paces and the cables didn’t drop out. Unlike other headphones, the cables don’t lock. Like the Monitor 60s the headphones are equipped with both sockets on the earcups. Helpfully they provide both an auxiliary and 1/4 inch cable to aux so you can plug straight into your laptop, or older iPhone models, but also your mixer. The cans come in a soft storage pouch with the cables in a separate pouch. Like the other OneOdio products we have received, the packaging look and feel is very similar. Unboxing The OneOdio Studio Pro 10 DJ Headphones For one their price is just £23 (at the time of writing) so we’re looking at impulse buying and entry-level offerings. These are billed as solely for DJs so we were curious to find out how they differ from their siblings. But, the next arrival has been the Studio Pro 10 DJ Headphones. We also put through the paces the Monitor 60s which are wired only and cost slightly extra. Towards the end of 2020, Attack previously reviewed OneOdio’s A70, A30 and A11 models, all of which can function wirelessly. There has been a lot of OneOdio of late in the Attack office. Where do the OneOdio Pro 10s fit in? We review them and put them to the test.
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